This is the second time I've received an email about the Millau Viaduct. And while I can appreciate the impressiveness, and even the beauty, of this modern wonder, you will NEVER, EVER see me on it. I don't like bridges.
So you know what she's doing, when she's doing it and who she's doing it with.
This is the second time I've received an email about the Millau Viaduct. And while I can appreciate the impressiveness, and even the beauty, of this modern wonder, you will NEVER, EVER see me on it.
Andrea Rassler, who played Rosalind, was capable enough, although she looked very uncomfortable in her heeled shoes. Jonathan Ewart, who played Howard, was awkward. His fall onto the couch would have been much better had he simply gone over and fallen. Instead he made it look just what it was - the director gave him that specific blocking. Jim Esposito and Susan Capotosto, as George and Charlotte Hays, started out promising. Until she started "hitting" her costar with a rolled up newspaper. Oh, it was scripted, and unfortunately it came across looking so very contrived. As did her knee to his groin. When a script calls for such physical contact, the actors involved should get together to work the scene so it will appear real and believable to the audience and such that the actors can remain safe. It was very apparent that this did not occur.
The show suffered from major pacing problems. Some of these problems stemmed from a lackluster audience of 87 and some stemmed from particular actors. Kay Ward, who played Sandra Rogers, was one such actor. As soon as she stepped on-stage the air left the room. She desperately needed some cheese to go with her whine! Geez. Yes, I originated Sandra in Burlington, but I assure you, this is not a case of sour grapes. Two minutes into the show, Mallorie whispered, "Mom, you were soooo much better."
Scott Spenser and Karen Price-Crowder (who played stage mother Jessica Finch) were as good as they always are. Luke Van Hine was also good as nephew Todd Maybrie. Morgan Robbins was very good as fake daughter, Claire, and her 'sunrise, sunset' was appropriately bad. Jean Burr could have been better as Monique, if only Macon had given her more. The best performance was by Chuck Powers who played Officer Chris Gentry. Perhaps not too ironic is his striking resemblance to KLT regular, Dick Strohemier.
Mikey and I went to David's memorial service tonight. Due to the new Greensboro by-pass, we ended up arriving 30 minutes late. We missed hearing David's father speak, and pictures of David when he was a child. We did get to see other slideshows of David as a teenager and adult, hear stories from his high school chorus teacher, listen to beautiful songs sung by Jean Marie Buckley, Danielle Blakeman, Jonathan Cobrda, Kim Harrison, Neil Sheppard, Craig Richardson, Mitchell Sommers and Jordan Legaux. Vanessa Martinez performed a dance to "Gaston" from Beauty and the Beast.
Oh December
Yet again upon the land you descend
With pinkish hues of morning sun
Catching last the leaves of amber and gold
Upon me you dawn again
And pause with reflection do I
On moments since last you saw me
And beheld I the season nigh
And though I dwell in new abode
Far from loved ones of blood and soul
Oh December, you still find me
As does their love find my heart
As I unbox the glistening orbs
To deck new halls this time of year
Occurs to me a thought profound
And my soul it warms indeed
That changed though the place may be
The inner reaches of who I am
In truth and in dream, remain steadfast
As do my memories of all
All that upon my path with me have trod
All that have loved, cried and fought with me
All that shaped me, in ways small and grand
Oh December, you dawn upon them as well
Hence dear friends again a glass I raise
And dear friends, a prayer I raise
That your December with joy be filled
Until meet again we do in days to come
12/02/2006
DEW
Last night, Mikey and I attended Winston-Salem Theatre Alliance's opening night performance of Southern Baptist Sissies. If you haven't made plans to see the show, you really should. So, how was your first REAL trip? Meet any crazy customers?
From: Dusty
Date: Sun, 10 Feb 2008 12:51 amYes, two tonight that were fighting. Two dudes were hitting each other from the FLL flight to JFK. Both me and the F3 went over to see what was up. They were friends getting into some disagreement. They settled down for a few minutes, but started back and I wasn't having any of it, so I walked back up with my F3 and told the guy I was giving him his one and only warning and that was to behave or I'd move one of them to the back of the plane. haha. It was crazy but I handled it well.
Other than that- flying is FUN. I can't believe I'm doing this! LOL. You should do it too!!!!!!!!
What's new with you?
Dusty
From: Dusty
Mr. David Edward Wright, 45, of 716 Shannon Road, Asheboro, NC, died Friday, February 1, 2008, at his Greensboro residence.It’s a crazy mix of zany characters. Some are Southern, some are British, and all of them have eccentricities that spread laughter through the audience like buckshot.
The Foreigner, which opened Friday night at the Little Theatre, is one of playwright Larry Shue’s best known works.
Laughs are guaranteed.
This is a farce, and as such, relies on sight gags, exaggerated gestures and an array of caricatures. The characters all show up at the same small rural hunting lodge in Georgia, flaunting their particular version of what life is all about.
Most of them are looking for their own identities. Two of them are trying to conceal who they really are.
What a cast of characters. Just look at their bios:
Betty is an older widow who owns the lodge and needs to feel young again. Froggie hails from England and is a bomb specialist who has come to the area once again to teach bomb tactics at a nearby military base. Charlie is his friend from England who is so bashful that he invents a language (and persona) to be able to deal with the other guests while Froggie is away. David, a guest, is a minister whose niceness is a front for theft. Catharine, a debutante, is pregnant, wealthy and set to marry David, but naturally they stay in separate rooms. Ellard is her slow-witted brother, and Owen is a local whose hood-wearing buddies back his shenanigans with David.
What results can’t adequately be translated to print.
When Betty says she sees “a tractor” in the story that Charlie has just made up and spouted off in gibberish, the audience falls apart.
When Charlie re-enacts Frankenstein to scare the bully, Owen, he can - because in real life Charlie’s a proofreader for a science-fiction magazine.
Both scenes bring on laughs because the play evolves around a tight plot.
Characters are so fully drawn by the actors that when any of them does deliver a line, it makes perfect sense.
The Foreigner is an enormously popular work by Shue.
Having premiered in the early ’80s, its reception recalled his earlier work, The Nerd.
But this play at the Little Theatre wouldn’t necessarily come off without the slapstick acuity of director Stan Bernstein.
Bernstein, a prolific local actor and director, seems to have found his own passion for theater. He knows how to deliver lines, he knows pacing, and fortunately, with his guidance, his actors do, too.
Good ensemble acting keeps the whole show going, but special bows go to Charlie, Froggie, Betty and Ellard.
Chad Edwards, who teaches theater arts at Mount Tabor High School, almost steals the show. His rendition of the hapless hero who eventually finds his own voice relies on a full array of body movements, facial expressions and timing. Edwards delivers on all counts.
Pat Shumate as Betty is as close to the real thing as the lovable Southern woman who wants to believe and has an active imagination to make just about anything plausible.
Mikey Wiseman as Froggie is a swaggering foil to Charlie’s ineptness, and Mark March as the slow-witted Ellard makes floundering look delightful.