






So you know what she's doing, when she's doing it and who she's doing it with.



Since I ran sound for the show, Cade and Mallorie came with me Friday night. Cade was very excited to climb up to and hang out with me in the sound "booth". That is until 15 minutes into the show when being so high up lost its appeal. Still, he remained with me and watched the show over the edge. He enjoyed it, laughing with the audience, until sleep got the better of him.
Last season's hit comedy The Nebula of Georgia, written and directed by Joe Nierle will travel to New York to be presented at off-Broadway's The Manhattan Repertory Theatre. A cast of seven Greensboro actors will perform the show on May 20,21,22 at the theatre located at 42nd Street and 8th Avenue.
Flanagan's Wake is an interactive Irish wake that has been running in Chicago for 13 years. It was the word "interactive" that piqued my interest. So, I called Ken and we saw the show at Open Space Cafe Theatre last night.
I share Christmas Eve's philosophy that "Everyone's a Little Bit Racist". As such, I found Rebecca Gillman's Spinning Into Butter an uninteresting read.If we all could just admit that we are racist a little bit,
And everyone stopped being so PC
Maybe we could live in ... harmony!
As I practically danced around the tables, I couldn't help but shout in delight. There on the table before me were two of the Arlene Hutton scripts I had on my amazon.com wish list. Not wanting to hedge my bets on upcoming birthday gifts, I picked up both scripts. As I did, I asked the man behind the table about the 3rd, as of yet unpublished, script in her Nibroc trilogy.
As he answered my question, I looked at his nametag - Craig Pospisil. The name looked familiar, but I couldn't place it. As I rounded another table, I saw it. The cover for Life is Short. He is a playwright. I was pretty sure I had one of his scripts so I asked him what else he'd written. His list didn't ring any bells, but he did tell me that he's writing a play with Arlene Hutton. I was thrilled to hear that news.
The play centers around a slacker teenager, Darrell, his girlfriend Jenn and Tim, his best friend. Darrell is growing up in one of those "going nowhere, destined to repeat the cycle" families. Darrell's mother, Cammie, largely ignores him, as does his stepfather. His stepsister has a baby, but is incapable of caring for him. She consistently allows the baby to cry.
Just finished Madeleine Wickham's The Gatecrasher. If it hadn't been spelled out for me on the cover of the book, I never would have guessed Sophie Kinsella had actually penned this ridiculous book. I usually love Kinsella's highly entertaining books. This one was an absolute disappointment, right down to the last page of loose ends.
I just finished reading this steamy novel. What a great read! It's got everything in it a girl would love: a hero who is totally in love with the heroine, a hero who takes care of the "needs" of the heroine, a heroine who is strong willed and doesn't take any crap from anyone; intrigue and kidnapping, rescue and romance. I thoroughly enjoyed the book from the first delicious page to the last.
'Gossip' singer Beth Ditto, whose powerhouse voice, sexy performances and comfort level in her plus-sized frame have won her fans ranging from Rosie O'Donnell to Keira Knightley, shows off another side of herself for the premiere issue of Love Magazine.
Cade came home from school today with a whit paper bag covered in red construction paper hearts. We took out all the Valentine's cards he received. He then told me to close my eyes, which I did, and he then handed me this valentine. These are my favorite valentine's "cards". 
Not only am I inspired to read scripts after playreading meetings, I also try to read a few before meetings so I can pass along the scripts. I just finished these today. In Where's My Money? a ghost requests payment of his $2700, Tuesdays With Morrie deals with death from Lou Gehrig's Disease, and Taking Leave is about 3 sisters dealing with their Dad's Alzheimer's. Putting a murder to music may not be new, but it does curl the brain somehow. Sweeney Todd did it, and Oklahoma! to a lesser degree. Kurt Weill is famous on the subject.■ The Winston-Salem Theatre Alliance presents Thrill Me: The Leopold & Loeb Story at 8 p.m. on Friday, Saturday, and Feb. 19-21, and at 2 p.m. on Feb. 22. Tickets are $16 for adults and $14 for seniors and students. 1047 Northwest Blvd., Winston-Salem, N. C. Call 336-723-7777.
Now, "The Murder of the Century" is the focus of the two-man musical from Winston-Salem Theatre Alliance, Thrill Me: The Leopold & Loeb Story.
For good ole, cold-blooded, calculated murder -- the brainchild of two very intelligent young men -- you can't ask for more than this particular, real-life crime, which happened in Chicago in 1924. It involved the murder of a young boy by Richard Loeb and Nathan Leopold, who were longtime friends, privileged Jewish university students and, possibly, lovers.
The murder set the country on its ear and immortalized the eloquent, 12-hour indictment of the death penalty by the duo's defense attorney, Clarence Darrow.
Jamie Lawson, the artistic director of Winston-Salem Theatre Alliance, is moving the company beyond its reliable roster of edgy humor. Lawson said he's still not sure why he picked Thrill Me, but he knows that he likes it and serves as the show's director and one of its co-stars.
He hasn't acted for nine years. His last role as one of several cowboys in Crazy For You is hardly preparation for playing a cold-blooded murderer who sings.
In this show, he plays Leopold, the younger of the pair who didn't necessarily concoct the murder but needed so much to be loved that he went along with his friend, Loeb, who enjoyed Nietzchean "superman" fantasies. Together, they came up with "the perfect crime," and newspapers relished headlines about "thrill killers."
Needing love from a madman may not be new subject matter, but in this show it's all set to music. First performed at the Midtown International Theater Festival in New York in 2003, the musical by Stephen Dolginoff (book, musics and lyrics) went to a larger Off-Broadway venue in 2005 by the York Theatre Company.
Songs are simply titled: "Thrill Me," "Way Too Far" and "Keep Your Deal with Me."
Lawson says that directing a two-man musical is easy enough. Bryan Daniel plays Loeb, and Lawson describes directing as something like, "OK, Bryan, you sing that line. OK. Then you come to me."
The subject matter, however, keeps Lawson thinking.
"The murder was so shocking," he said. "Why would two wealthy, everything-going-for-them kids want to do something like this? What was the motivation?
"Anything you do today is captured on the Internet or by your neighbor.
"We're just fascinated with this stuff," he said. "It's an episode on CSI, for heaven's sake. It's a history lesson to music. It's CNN, 2009."
Leopold and Loeb's murder of a 14-year-old boy who lived in their same wealthy neighborhood entailed killing him, then pouring hydrochloric acid on the body. Afterward, they had dinner.
One of the intrigues of the material, Lawson said, is comparing what happened in 1924 to the bombardment of violent and titillating imagery and behaviors we live with every day today.
"I can't figure out if there was the same amount of this kind of behavior back then and we just didn't have YouTube to tell us about it. Or do we have more of it because we're bombarded with this flow of stimulus? From the moment I get up, there's this constant stream of information -- the computer, the TV, even the billboards are everywhere."
The show is told from the point of view of Lawson's character, Leopold. It's 1958, he's up for parole for the fifth time, and flashbacks take the audience to the planning of the murder -- and the twisted relationship between the two men.
What's revealed in the show is that they had signed a contract. "The contract was to fulfill one another's needs whatever they are," Lawson said.
Loeb was killed in prison, and Leopold was paroled after 33 years whereupon he moved to Puerto Rico.
Lawson is still thinking about his choice.
"I really don't know what compelled me to this show -- to picking it -- and to being in it. I don't usually play characters so deviant. I'm used to fluff, playing fluffy characters."
I just wanted to thank you all one last time now that it's over. We all worked our butts off and we definitely have a show we can be very proud of. The people who came really enjoyed it, I have heard nothing but good things from them. I want to thank you all so much for your passion, dedication, and hard work. This meant a lot to me.
I hope to work with you all again. Let's not lose touch.
Kati F
By Ken KeuffelThe "Twin City" moniker is popular in Winston-Salem. It identifies a restaurant, a chorus and a minor-league hockey team.
And in September, it will figure prominently in the new name of an old theater company -- when the Little Theatre of Winston-Salem officially becomes Twin City Stage.
Norman Ussery, the Little Theatre's executive director, said he will announce the name change tonight at the Arts Council Theatre before the Little Theatre begins its run of I Love You, You're Perfect, Now Change. The new name will coincide with Little Theatre's 75th-anniversary season.
The name change is being introduced gradually. Current patrons will be reminded of it during I Love You and two other shows this season. And when the 2009-2010 season brochure goes out in May, it will feature the new name as well, along with the original one to avoid confusion.
Ussery said last week that the Little Theatre has 1,500 subscribers and 500 "frequent" patrons.
"They know who we are and what we do, but we discovered that there are more than (these) 2,000 people living in Winston-Salem," Ussery said with a smile. "They don't know what we do. They don't know where we are.… If we're going to get a new audience, then we have to do some new things."
One of those "things" is a new name and a logo to go along with it.
Ussery said that the decision followed both extensive study -- several focus groups with different constituents were consulted -- and hiring the Russell Agency to develop a marketing and branding strategy. A $30,000 grant from the Winston-Salem Foundation underwrote the cost of hiring the agency.
The new name will help clear up confusion among people who have mistaken the Little Theatre for the Children's Theatre of Winston-Salem, Ussery said, and it will better describe what the company does, namely offer a "professional, contemporary product." The theater operates on a yearly budget of about $800,000. It offers plays, musicals, education programs, a second-stage series and collaborative efforts with other organizations.
"We truly feel that the name that has been selected is representative of the theater and everything it offers," said Carrie Collins, who chairs the theater's board.
The term "Little Theatre" won't disappear from the theater's publicity entirely. The new logo has a tagline that reads: "Put a Little Theatre in Your Life."
"It not only pays homage to the Little Theatre name but it's also a call to action to try it," Ussery said.
Theater officials say that the adoption of "Twin City Stage" is part of a larger strategy to increase awareness, increase ticket sales, attract more people to auditions and sign up more volunteers.
To get an idea of what the theater company hopes to achieve by changing its name, consider that the Arts Council Theatre has 540 seats. The Little Theatre generally performs a musical 11 times, a play seven times.
Ussery said that he would love to sell out each show and add two more performances to each run. He called such a scenario realistic because research indicates that the new name will help change audience perceptions of the Little Theatre and lead to greater ticket sales. If two performances are added to each run, the Little Theatre will realize a 15 percent gain in yearly ticket revenue on its current sales of $300,000, assuming that the performances sell out.
Danny Alvarez, a local theater fan, attends shows in New York and has served the Little Theatre as a stage manager. He said he believes that the name change is necessary, pointing out that community theater often comes with a stigma.
"You think glorified high-school productions," he said. This statement goes along with what Ussery believes, namely that several misconceptions are associated with the word "Little."
"People assume that either it's a small room with about 100 seats in it and a bunch of amateurs running around in grandma's bed sheets for costumes, or that it's really geared for children," he said.
In 2000, Alvarez started working across the street from the Arts Council Theatre, where the Little Theatre also has its offices. Until 2003 -- when some friends persuaded him to approach the Little Theatre about getting involved -- he didn't believe the company put on high-quality shows and stayed away from it. His perceptions changed dramatically when he started participating in shows.
"Yes, it is community theater, but it's as high-end community theater that you're able to produce," he said. "People need to know it's close to professional theater."
