Joe, Maryann, Mark, Latimer, Eric, Mallorie, Chris, Robin, April, Bill, Michael, Myla, Nanette, Ken and Heather, Chad, Mom, Fred, Bridget, Lee, Dad, Laurel, Neil, Kati, Katie, and Perry...
thank you so very much for your encouragement, your faith, your hugs and praise, and especially all your love and support during The Beauty Queen of Leenane. I could not have brought Maureen to such life without each of you sharing in her breath.
(and thank you, Chris, for the beautiful roses.)
Tuesday, June 28, 2011
Monday, June 27, 2011
Saturday, June 25, 2011
Performance, "The Beauty Queen of Leenane"
I have to say that last night and tonight's audiences were the best, so far. It might have been because I decided to tweak Maureen just a tad bit. And for that I blame thank Mark, who plays Pato.
Last Saturday, as I came off the first scene, Mark high-fived me commenting that I was on fire. "Evil" and "mocking" were two more words that stuck with me. Those are not adjectives that should come right after the opening scene! That combined with the woman in the front row that held such tongue-clicking disgust for me (at one point I was really afraid she was going to jump up on stage and go after me!) had me rethinking my acting choices.
The play works best when the audience empathizes with both Maureen and Mag. We are our own worse enemies and our own victims. What I believed happened was that I was playing Maureen a bit too harsh. If I was starting the very first scene "evil" and "mocking" I really had nowhere else to go with her. I was also overpowering Maryann's attempts to grow Mag. Ultimately I was hurting the lay by inadvertently making Maureen immediately unlikable.
So Friday I made Maureen a bit softer, lighter and it worked so much better. We actually got laughs that we'd never gotten before! Both audiences went right along for the ride that Mag and Maureen took them on. Instead of being so very dark and heavy, the show was simply sad, which is what the playwright intended it to be.
Last Saturday, as I came off the first scene, Mark high-fived me commenting that I was on fire. "Evil" and "mocking" were two more words that stuck with me. Those are not adjectives that should come right after the opening scene! That combined with the woman in the front row that held such tongue-clicking disgust for me (at one point I was really afraid she was going to jump up on stage and go after me!) had me rethinking my acting choices.
The play works best when the audience empathizes with both Maureen and Mag. We are our own worse enemies and our own victims. What I believed happened was that I was playing Maureen a bit too harsh. If I was starting the very first scene "evil" and "mocking" I really had nowhere else to go with her. I was also overpowering Maryann's attempts to grow Mag. Ultimately I was hurting the lay by inadvertently making Maureen immediately unlikable.
So Friday I made Maureen a bit softer, lighter and it worked so much better. We actually got laughs that we'd never gotten before! Both audiences went right along for the ride that Mag and Maureen took them on. Instead of being so very dark and heavy, the show was simply sad, which is what the playwright intended it to be.
Ok, guys, do you agree or disagree with Scott? Do you have more to add to the list?
9 Things Guys Find Sexy About You That Have Nothing To Do With How You Look
by Scott Alden on April 21, 2011There is no denying that looks are what usually first attracts us to a woman, but most guys who have been around the block also know that how hot a woman appears to be on the surface has very little to do will how good the sex will actually be.
However, there is a lot that we can tell about how sexy a woman really is, if we pay attention to certain things. Here are 9 examples:
1. Your Walk
Oh man. A brisk, confident, heel-clicking strut? A slow, hip-swinging mosey? Would it be creepy if I just walked behind you for awhile? (I know. It would. That's the definition of creepy.)2. Your Voice
Whether it's smokey/scratchy, airy or, I'll say it, slightly lisp-y, the way you talk can be a major turn-on.3. Your Sharp Wit
Just watch any classic screwball comedy -- verbal sparring is the ultimate foreplay.4. The Way You Dance
This one's pretty obvious right? The way you move is the way you move.5. Your Adventurous Spirit
And being up for anything kind of implies that you might be up for anything. On the other hand...6. Your Shyness
If the bedroom is the only place that you really let yourself go crazy, it's kind of twice as hot.7. Your Laugh
I think the laugh was the first thing I ever found sexy. Before I knew what sexy was, I remember hearing Kathleen Turner's laugh (I was probably 7) and feeling something... different.8. The Way You Smell
I'm not talking about what perfume you wear. I'm talking about the way you smell. I'm talking about burying my face between your neck and shoulder, inhaling and losing all capacity for rational thought.9. Your Ability to Communicate
Nobody's going to believe me on this one, but it's one hundred percent true. Even the hottest, easiest sexual relationship is eventually going to run into a snag somewhere. A woman who can express complex feelings clearly and confidently is a woman who's going to be able to keep the sex interesting and fulfilling when the initial shine wears off.
Monday, June 20, 2011
Wednesday, June 15, 2011
Final Dress, "The Beauty Queen Of Leenane"
Man, I was on a roll tonight! We were rocking along, things were going well, lines were being delivered and pacing was great. I was resisting the urge to posture and pose for the photographer who was taking show pics. We were on!
I'm backstage, struggling to get into my final black dress when I realize I've got it on inside out. I yank it off and redress, trying to beat the lights up of the final scene. I see Mark come offstage and send up a little prayer that I made the costumer change in time. I grab the raincoat and start my entrance, wondering why the lights still haven't come up. Doesn't Eric see me? I jangle my keys in an attempt to signal Eric that I'm about to enter.
Lights come up, I open the door and step onstage. I see that Maryann is sitting in the rocking chair. Shit. Wait, what? Now I realize that I'm all wrong. I've skipped an entire scene!! And funnier still, it's my own page and a half monologue!
(I didn't actually skip it. As soon as I realized what scene I was supposed to be in, I sprang into action.)
Yes, that's the beauty of live theatre where things can go wrong. Thankfully, though, there was no audience other than the photographer, and he didn't know I'd messed up. And, of course, I had to reassure Joe and Eric that it won't happen again.
I'm backstage, struggling to get into my final black dress when I realize I've got it on inside out. I yank it off and redress, trying to beat the lights up of the final scene. I see Mark come offstage and send up a little prayer that I made the costumer change in time. I grab the raincoat and start my entrance, wondering why the lights still haven't come up. Doesn't Eric see me? I jangle my keys in an attempt to signal Eric that I'm about to enter.
Lights come up, I open the door and step onstage. I see that Maryann is sitting in the rocking chair. Shit. Wait, what? Now I realize that I'm all wrong. I've skipped an entire scene!! And funnier still, it's my own page and a half monologue!
(I didn't actually skip it. As soon as I realized what scene I was supposed to be in, I sprang into action.)
Yes, that's the beauty of live theatre where things can go wrong. Thankfully, though, there was no audience other than the photographer, and he didn't know I'd messed up. And, of course, I had to reassure Joe and Eric that it won't happen again.
Sunday, June 12, 2011
An Afternoon At The Theatre, "Nunsense A-Men!"
I'm a little embarrassed to admit that I can't remember if I've ever seen a Nunsense show. I think I saw it back in the 90's at Kernersville Little Theatre, but I can't be sure.
So when Theatre Alliance needed someone to work the box office, I readily volunteered. And, as it turns out, there was an extra seat available. After I finished my box office duties, I slipped into the seat and enjoyed the show.
First of all, you can't go wrong with a cast that includes Mark Armstrong, Justin Hall, Tim Brown, Gray Smith and John C. Wilson. Each of them are talented in their own right. As an ensemble of singing nuns...divine!
So when Theatre Alliance needed someone to work the box office, I readily volunteered. And, as it turns out, there was an extra seat available. After I finished my box office duties, I slipped into the seat and enjoyed the show.
First of all, you can't go wrong with a cast that includes Mark Armstrong, Justin Hall, Tim Brown, Gray Smith and John C. Wilson. Each of them are talented in their own right. As an ensemble of singing nuns...divine!
Friday, June 10, 2011
Sunday, June 05, 2011
A Night At The Theatre, "Duck Hunter Shoots Angel"
Last night, Myla and I caught the delightfully funny, Duck Hunter Shoots Angel at Twin City Stage.
I had read the script and didn't find it particulary funny. But in the hands of Ken Ashford (as the more knowledgable Duane) and Chad Edwards (as the bright eyed innocent Duwell) absurd situations were played touchingly honest. And of course, they were funny. Very funny.
Performances by Don Gunther and Laurel Ulman were also wonderful.
The set was designed by Larry Hurych. Particularily notable was the tree Duwell had to climb for the final scene.
All in all it was a highly enjoyable show! Bravo to all!
I had read the script and didn't find it particulary funny. But in the hands of Ken Ashford (as the more knowledgable Duane) and Chad Edwards (as the bright eyed innocent Duwell) absurd situations were played touchingly honest. And of course, they were funny. Very funny.
Performances by Don Gunther and Laurel Ulman were also wonderful.
The set was designed by Larry Hurych. Particularily notable was the tree Duwell had to climb for the final scene.
All in all it was a highly enjoyable show! Bravo to all!
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